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Wednesday, October 7, 2026
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Ballet Star Matthew Ball on Grueling Parts and Online Scrutiny: 'I Don't Feel Protective About My Body'

In the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is naturally straight-backed, his arms muscular beneath a plain tee. On stage, ballet dancers can seem as powerful deities, yet often in person they are small. This is not true for Ball, whose tall stature is part of his demand for heroic roles and pas de deux work. With fine features and piercing eyes, there's a hint of a brooding actor about him.

An Apparent Ascent to the Pinnacle

At 31, Ball is enjoying the peak of a career that has progressed smoothly. Raised in Liverpool, he faced minimal teasing for his early interest in ballet. Joining the esteemed training institution at 11, he moved straight into the troupe and was promoted annually, reaching the highest position of lead dancer in 2018. He has loved tackling substantial characters, particularly the psychological angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His next starring appearance is as himself, in an "Evening With" event aiming to offer intimate perspectives into a performer's craft. He will walk the audience through a part, demonstrating his cognitive workflow during execution. Yet in more comedic ballets, the test is significant. "Don Quixote is one of the toughest technically," he states.

The Psychological Game and After the Show Feelings

How does he feel following a performance, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to squeeze all the emotion out of it, and get immersed in the character, frequently I do feel embarrassed later. After Mayerling I'm always like: Wow, what must people think?"

Offstage, Ball is reflective, polite, and prone to laugh at himself. Yet a dance maker once observed on a "kind of suffering in him." Does this exist? "I am very active usually, but I do have a melancholy streak," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Motivations and Artistic Inspirations

His determination originated in youthful experiences. Not doing well in competitions at school made him "driven!" This became fuel to prove he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

An upcoming endeavor is creating his own choreography. In his view, "there's nothing wrong with." "Breaking the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from literature, music, and painting.

Close-Up Dance and Private Dynamic

He additionally is interested in staging dance in more intimate spaces. "It was just really thrilling," he says of a past experience. "You’re so near to the audience. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." The couple aren’t usually paired on stage at their home company, which might be healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Image

On Instagram, followers can see clips from his projects and photos that showcase a athletic physique. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He compares it to viewing Michelangelo’s David—an object that can be interpreted on multiple ways.

Ball describes his younger self as "eager for success." Did it met his expectations? "I am conscious of how reality is a separate thing to the dreams you had as a child," he muses. He likely has about decade of dancing left. "I suppose in the time to come, I want to be a bit more kind with myself."

The writer

Brian Petersen

A cybersecurity specialist and tech writer with over a decade of experience in digital innovation and AI ethics.

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